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Series Eighteen starts airing on 29 January 2012 with seven episodes (not including the India Special),[1] following on from the 2011 Christmas special which aired on 28 December 2011.[2] In the special they take a route across India, the first of the many countries Top Gear plans to visit over the course of the new series, according to Jeremy Clarkson. Shooting in India began on 2 October, with the first leg of the shooting beginning in suburbs of Mumbai.[3][4] The show was also seen in Lecce, Italy with a Noble M600, McLaren MP4-12C and a Lamborghini Aventador.[5] Hammond announced during the Top Gear Live shows in Birmingham, that additional recordings for the new series had been done in the USA.  The January 2012 edition of Top Gear Magazine featured a preview of what to expect in series 18.[6] It included a piece where Richard Hammond drives a NASCAR safety car for a real race, later going on to drive an actual NASCAR race car. The magazine also featured a part of some of the power tests to expect, including Jeremy Clarkson driving a Mercedes-Benz C63 AMG Black Edition, a Mercedes SLS AMG Roadster and a Maserati GranTurismo MC Stradale. Hammond meanwhile will drive a 2012 BMW M5 F10, and May will have a Vauxhall Corsa Nürburgring Edition. Another feature is going to China to test drive Chinese cars, Italy in 3 super-cars, Lamborghini Aventador, Noble M600 and a McLaren MP4-12C. Also James May is taking a trip to USA to test sports hybrid supercar Fisker Karma, meet ACDC frontman Brian Johnson and drive his 1928 Bentley Vanden Plas LeMans Tourer. According to Top Gear Executive Producer Andy Wilman, Clarkson, Hammond and May are going to northern Sweden as well, where they will race the new Ferrari FF across a Silverstone Circuit-shaped ice track. Also Jeremy Clarkson and Richard Hammond will attempt to film a car chase sequence for The Sweeney.

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 評論
  • 土土阿

    121.76.152.112
    確實(shí)宮崎吾朗沒有宮崎駿那么得好,但也絕沒有那么得差。在吉卜力的外衣下,內(nèi)里已經(jīng)是完全嶄新的故事。很愛這類超·老套故事的我,要對吾朗說聲加油!
  • 巴黎只有一條街

    182.84.205.145
    很遺憾沒能看到一些新時(shí)代的東西。雖然年代保守是既成事實(shí),但是我們依然可以改變思考和敘事的方式。影片中的女性從始至終保持的是一種被動的、受害者的形象,這是一種創(chuàng)作者的懶惰。
  • 今一

    106.85.140.58
    開頭這腦洞是挺有意思的,后面就乏乏,看么也能看,不看么也毫無留念。
  • 清濁

    182.92.12.137
    尷尬,女主演技好爛好差,長得好丑……太刻意了
  • 沒毛的頭

    121.76.126.177
    就為了看我二狗,但是人老了精氣神都沒有了 T T,請保重身體!
  • 啊啊啊.

    36.63.29.93
    老實(shí)說對比第一季有一點(diǎn)失望。Tanya線似乎為了刺激而刺激,因?yàn)槊撾x日常度假,諷刺力度就遠(yuǎn)遠(yuǎn)降低了。對Portia也很失望,Tanya線的離奇程度也對普通打工人形象的塑造大打折扣,顯得莫名極端冷漠。意大利祖孫三人,在結(jié)尾也早早失去了前幾集孫子作為虛偽左派女權(quán)男性的探討,落入普通殺豬盤的俗套。最有趣的夫妻四人組也是,總而言之比起第一季的諷刺力度下降太多,更多是獵奇的展現(xiàn)了……但是攝影真的很漂亮,風(fēng)景和旅店里的人像畫簡直太棒了。
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